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		<title><![CDATA[Jemsite - Guitar Lessons & Music Theory]]></title>
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		<description>Post any type of guitar or music lessons, theory and other learning methods.</description>
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			<title><![CDATA[Jemsite - Guitar Lessons & Music Theory]]></title>
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			<title>E minor pentaton spiced up with chromatic passing tones</title>
			<link>http://www.jemsite.com/forums/showthread.php?t=96992&amp;goto=newpost</link>
			<pubDate>Fri, 20 Nov 2009 15:56:19 GMT</pubDate>
			<description><![CDATA[Image: http://i292.photobucket.com/albums/mm16/tamasjonas/JonasTamas-OSV-Timeless01-chromatic.jpg 

This is a cool chromatic line I've come up with doing a guest appearance on one of the songs of the upcoming 3rd OSV album. Click here to download the bigger version of the tablature and the...]]></description>
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<br />
This is a cool chromatic line I've come up with doing a guest appearance on one of the songs of the upcoming 3rd OSV album. Click here to download the bigger version of the tablature and the mp3:<br />
<br />
<a rel="nofollow" href="http://www.4shared.com/file/155780476/551875c7/Jonas_Tamas_-_OSV_-_Timeless_01_-_chromatic_passage.html" target="_blank">http://www.4shared.com/file/15578047...c_passage.html</a><br />
<br />
As you can see and hear, the solo is in the key of E minor, and it starts with two unison bends in the first bar, and a simple bend-and-release pattern in the second bar. Notice, how these two bars are rhythmically connected by the solo guitar, using different notes and techniques but the same rhythm.<br />
<br />
At the end of the second bar I start the chromatic line. I took the 5 notes of the E minor pentatonic scale as reference points and did some chromatic 'journeys' around them. In the fourth bar you have to shift positions twice, so I wrote the fingering below these two points.<br />
<br />
When using chromatic lines, it is important to end the passage on one of the main notes of the key - this time I've landed simply on the root (D string 14th fret).</div>

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			<category domain="http://www.jemsite.com/forums/forumdisplay.php?f=23"><![CDATA[Guitar Lessons & Music Theory]]></category>
			<dc:creator>JonasTamas</dc:creator>
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			<title>Weird feeling on wrist = bad picking ?</title>
			<link>http://www.jemsite.com/forums/showthread.php?t=96578&amp;goto=newpost</link>
			<pubDate>Mon, 09 Nov 2009 22:45:18 GMT</pubDate>
			<description><![CDATA[Hey guys,

Sometimes it happens to me that after a while playing (like 1 hour straight) I get a weird feeling on my wrist on the alignment of the thumb.. it's almost as if someone for 1 tiny fraction of a second pinched some tendon.. not a big deal or pain but nevertheless I can feel something...]]></description>
			<content:encoded><![CDATA[<div>Hey guys,<br />
<br />
Sometimes it happens to me that after a while playing (like 1 hour straight) I get a weird feeling on my wrist on the alignment of the thumb.. it's almost as if someone for 1 tiny fraction of a second pinched some tendon.. not a big deal or pain but nevertheless I can feel something which is starting to get me a bit worried.. have you guys ever felt anything like this before ? 8O<br />
I hold my pick like most people.. between thumb and index finger and during my practice I try to improve my fast picking.. doing 2,3 notes per string stuff.. triads and all that! I wonder if I'm doing something wrong...</div>

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			<category domain="http://www.jemsite.com/forums/forumdisplay.php?f=23"><![CDATA[Guitar Lessons & Music Theory]]></category>
			<dc:creator>mindwalker</dc:creator>
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