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Bodies that are HOLLOW...
Hitman,
I have three semi's and a hollow body and I can tell you from bitter experience that feedback with a hollow can be a wailing pain in the butt... but it's all about a fine balance between volume, gain, proximity to the amp, and position. Even in small rooms at stage volume, I can usually find a place that gives me a break from feedback (though I often have to get angled away from the speaker just a certain way). Add a little gain to the situation and chaos ensues. Sure Ted does it, but he's playing outdoor venues and arenas last time I checked - it's different in a 120 seat pub. Brian Setzer manages to do it, but he's not applying liberal doses of gain. Ultimately, I prefer semi's - they suffer from feedback to some degree as well, but are FAR more controllable, and offer most of the airiness and slap and depth in the tone that you get out of a hollowbody. I've heard of people stuffing pillow cases and paper towels through the sound holes to fight feedback :lame: - if it comes to that, I'd rather just grab a solid body axe.
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