Comparison Shopping
Reviews
Gallery
Jemsite Blog
Forums
Home
Jemsite
>
Players, People, Music and Tours
>
Guitar Lessons & Music Theory
I have no creativity...my playing is just cliche.
User Name
Remember Me?
Password
Register
FAQ
Calendar
iTrader
Mark Forums Read
Guitar Lessons & Music Theory
Post any type of guitar or music lessons, theory and other learning methods.
Go to Page...
Thread Tools
Display Modes
#
1
09-20-2003, 05:28 PM
Jeff
Join Date: Jul 2002
Location: Kansas
Posts: 1,501 - iTrader: (
1
)
I have no creativity...my playing is just cliche.
I just can't write anything anymore. Not a single thing without it sounding like some other lick I know. I tried going through Vai's Martian Love Secrets really hard, but it just doesn't help. When I try to play a chord that brings out an emotion, I play a chord that I've heard before that brings out that emotion. Any time I try to write a song and I think I have something original, I'll hear where I've stolen it from a day, a week, or even a month later. I may hear a song on the radio, just on the street that I absolutely pay no attention to and more or less forget it, but when I try to sit down and write something, parts of these songs I just totally forget about come back to me, and I can't break out of their patterns. As soon as I play a chord and it sounds good to me, it's from another song, and when I think it is something original when in fact it's not, I structure all the other chords around the song, and it ends up sounding cliche. I just can't do anything *original* anymore no matter what I do. I learn new scales, new chords, but that's all they are...scales and chords. I just can't be original like I used to be. Any help?
I know this is kind of hard to understand, but it's a weird problem. I just can't break free of stuff I've heard before no matter what I do!
Jeff
View Public Profile
Visit Jeff's homepage!
Find all posts by Jeff
#
2
09-20-2003, 06:49 PM
vai n maiden
Join Date: Aug 2003
Location: Leeds, UK
Posts: 215 - iTrader: (
4
)
Reviews: 3
take a bit of time out to get to grips with another instrument, get to be able to play on that and come back to the guitar. Or if ya cant afford that way, ignore guitar music for a while (i know i couldnt do that itd kill me!), or try and listen to a style you wouldnt usually listen to.
Then come back to your home turf and see if ya notice the diff
vai n maiden
View Public Profile
Find all posts by vai n maiden
#
3
09-20-2003, 07:22 PM
Jeff
Join Date: Jul 2002
Location: Kansas
Posts: 1,501 - iTrader: (
1
)
Quote:
Originally Posted by
vai n maiden
take a bit of time out to get to grips with another instrument, get to be able to play on that and come back to the guitar. Or if ya cant afford that way, ignore guitar music for a while (i know i couldnt do that itd kill me!), or try and listen to a style you wouldnt usually listen to.
Then come back to your home turf and see if ya notice the diff
I tried listening to other music. In fact, last night I spent about 2 hours just driving around listening to public radio. They played classical and some folk and enya and stuff.
And I just played enya licks on a distorted guitar.
Jeff
View Public Profile
Visit Jeff's homepage!
Find all posts by Jeff
#
4
09-20-2003, 09:57 PM
The Euphor
Join Date: Jul 2001
Location: Trondheim, Norway
Posts: 2,948 - iTrader: (
4
)
A few things I do, when I'm bored... I limit my choices of notes to play. When playing/composing a tune in E major, only play on the 9th and 12th fret. Or 13th and 15th, then prebend like crazy... Maybe just the A and B strings. The whole idea is to exclude as many options as it takes for you to come up with something new. Another thing I like to do is to only play notes that are off key. Great when jamming to simple blues tracks.
Euph
The Euphor
View Public Profile
Find all posts by The Euphor
#
5
09-20-2003, 10:21 PM
Devo
Join Date: Feb 2001
Location: Oxford, UK
Posts: 1,482 - iTrader: (
20
)
one thing i do when i find Im plagerising is to employ some more unusual methods of composition
eg chance music ... roll a dice or get someone to pick a few numbers between between 1 and 12. assign note length and pitch enitrely at random. Most will sound crap but out of a 30 note phrase you might find 8 or so notes that make a melody that you like.
serial music ... self explanatory.
learn somthing backwards. Intervals... runs .... leaps can create equally beautiful melodies in reverse. again just take the bits you like.
if you have the equipment, sampling is a good way to innovate... sample anything and everything you never know how 0.8 of a second of somthing will sound looped until you do it.
there are others too.... but i dont wanna give away all my secrets
Devo
View Public Profile
Find all posts by Devo
#
6
09-21-2003, 01:56 AM
Jeff
Join Date: Jul 2002
Location: Kansas
Posts: 1,501 - iTrader: (
1
)
Quote:
Originally Posted by
Devo
one thing i do when i find Im plagerising is to employ some more unusual methods of composition
eg chance music ... roll a dice or get someone to pick a few numbers between between 1 and 12. assign note length and pitch enitrely at random. Most will sound crap but out of a 30 note phrase you might find 8 or so notes that make a melody that you like.
serial music ... self explanatory.
learn somthing backwards. Intervals... runs .... leaps can create equally beautiful melodies in reverse. again just take the bits you like.
if you have the equipment, sampling is a good way to innovate... sample anything and everything you never know how 0.8 of a second of somthing will sound looped until you do it.
there are others too.... but i dont wanna give away all my secrets
Yeah, I've tried writing stuff mathmatically...but that's all they are -- mathematical compositions. They aren't coming from *me*. I hate this.
Jeff
View Public Profile
Visit Jeff's homepage!
Find all posts by Jeff
#
7
09-21-2003, 07:50 AM
Artist
Join Date: May 2003
Location: London, England
Posts: 795 - iTrader: (
0
)
play around on a piano for an hour or so, something always comes out for me
Artist
View Public Profile
Find all posts by Artist
#
8
09-21-2003, 08:35 AM
Devo
Join Date: Feb 2001
Location: Oxford, UK
Posts: 1,482 - iTrader: (
20
)
Quote:
Originally Posted by
JEMavenger
Quote:
Originally Posted by
Devo
one thing i do when i find Im plagerising is to employ some more unusual methods of composition
eg chance music ... roll a dice or get someone to pick a few numbers between between 1 and 12. assign note length and pitch enitrely at random. Most will sound crap but out of a 30 note phrase you might find 8 or so notes that make a melody that you like.
serial music ... self explanatory.
learn somthing backwards. Intervals... runs .... leaps can create equally beautiful melodies in reverse. again just take the bits you like.
if you have the equipment, sampling is a good way to innovate... sample anything and everything you never know how 0.8 of a second of somthing will sound looped until you do it.
there are others too.... but i dont wanna give away all my secrets
Yeah, I've tried writing stuff mathmatically...but that's all they are -- mathematical compositions. They aren't coming from *me*. I hate this.
no matter what way YOU write it, it still comes from YOU!!
every way you approach music it is maths whether your aware of it or not.
Its divisions of time to create rhythms .... or its relations of fundamentals and overtones to create chords and melodies.
If your aware its maths it doesnt make it any less musical. the counter argument is equally as absurd as saying that if you understand the words your using its not poetry.
Unless you want to argue that every composer since the baroque era wasnt a true composer. all of them have had a true awareness of relationships of times and tones to each other. Thats pure maths.
Just remember that the majority of people today dont understand the musical language in which they are writing.
another technique you could use is to do like villa lobos and use geometrical patterns on the fretboard. diagonal lines, squares, triangles, large X's etc. (and dont even dare say villa lobos wasnt an emotive or creative composer)
Steve
Devo
View Public Profile
Find all posts by Devo
#
9
09-21-2003, 10:00 AM
Artist
Join Date: May 2003
Location: London, England
Posts: 795 - iTrader: (
0
)
villa lobos wasnt an emotive or creative composer
of cakes
Artist
View Public Profile
Find all posts by Artist
#
10
09-21-2003, 11:02 AM
zEr0
Join Date: Dec 2002
Location: Milano, Italia
Posts: 1,223 - iTrader: (
18
)
I always play better when I'm high.
NO, honestly, I've had your problem many times but it never happened to me while I was stoned. It really makes me become a more spiritualized person and everything I play automatically gets better. It's not something I do very often but I still think it's a great inspirational source. Can't say the same thing about getting drunk, though...
zEr0
View Public Profile
Find all posts by zEr0
#
11
09-21-2003, 02:04 PM
darren wilson
Join Date: Dec 2000
Location: Canada
Posts: 4,190 - iTrader: (
0
)
Try
alternate tunings
or using a capo. Strange new chord voicings will come out.
Try writing a song with lyrics and vocals in mind.
darren wilson
View Public Profile
Visit darren wilson's homepage!
Find all posts by darren wilson
#
12
09-21-2003, 05:30 PM
davester1234
Join Date: Jan 2002
Location: Toronto, Canada
Posts: 1,221 - iTrader: (
0
)
I agree with darren.
Or you can just set the guitar down for a month and come back to it....a fresh start will do wonders.
davester1234
View Public Profile
Visit davester1234's homepage!
Find all posts by davester1234
#
13
09-22-2003, 02:58 PM
Infinite
Join Date: Aug 2003
Location: Scotland
Posts: 163 - iTrader: (
0
)
Try looking at the lydian and mixolydian
They are pretty wild and good to get something going
Infinite
View Public Profile
Find all posts by Infinite
#
14
09-22-2003, 05:52 PM
vai n maiden
Join Date: Aug 2003
Location: Leeds, UK
Posts: 215 - iTrader: (
4
)
Reviews: 3
i cant really get into the mixolydian but the lydian is a BEAST
vai n maiden
View Public Profile
Find all posts by vai n maiden
Tags
alternate tuning
,
alternate tunings
You may also search for:
People searched for this, also searched for these:
+bias +"when playing" +"high volumes"
where is buckethead playing
Playing in front of a camera with lights on you is a different thing, 'Bet you can't play this, cos
tinging noice when playing guitar
my fingers turn black when playing my Daddario's
«
Previous Thread
|
Next Thread
»
Thread Tools
Show Printable Version
Email this Page
Display Modes
Linear Mode
Switch to Hybrid Mode
Switch to Threaded Mode
Show/Hide
Posting Rules
You
may not
post new threads
You
may not
post replies
You
may not
post attachments
You
may not
edit your posts
BB code
is
On
Smilies
are
On
[IMG]
code is
On
HTML code is
Off
Sitemap:
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
All times are GMT -4. The time now is
09:08 AM
.
-- Default Style
---- Mobile Default
-- Mobile Alabama
Contact Us
-
Jemsite.com: Ibanez JEM/UV guitars & more
-
Archive
-
Privacy Statement
-
Top
Powered by vBulletin® Version 3.7.0
Copyright ©2000 - 2012, Jelsoft Enterprises Ltd.
(c) jemsite.com