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Old 03-19-2005, 09:16 AM
Azrael  is offline
 
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What (moveable)chord forms should everybody know?


Well the topic title says it all.
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Old 03-19-2005, 12:20 PM
Artist  is offline
 
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Re: What (moveable)chord forms should everybody know?


CAGED system is the most important set of chords to learn, pretty much every other chord form comes from one of those five, excluding two hand/open string chords, but even then they are usually combinations of two.
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Old 03-19-2005, 02:39 PM
Drew  is offline
 
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Re: What (moveable)chord forms should everybody know?


Chords are for people who aren't cool enough to get a rhythm guitarist to play behind them.

I don't buy the "CAGED System" as such - I mean, no matter how your guitar is tuned you're still going to get a stock set of chord forms. They just happen to come out to nice round open chords, in standard tuning, rather than like Bb's and F#'s - but the basic idea is sound, that you should be able to play a bar chord form of any open chord you know. Play with that for a while before you dig any deeper, getting comfortable with D-shaped, C-shaped, and G-shaped bar chords, in both major and minor forms.

Then. once that's comfortable, spend some time getting a feel for the major and dominant 7ths, and then try adding and removing notes - sus2's and sus4's, add9 and 11's, b5's, whatever - and have fun with little Jimi-like agumentations a la Little Wing.

You do it right, and the idea of chord forms should sorta deconstruct on itself, just leaving you with a bunch of notes.

A great place to start, though, is by making yourself a human capo - take a progression like Am-C-G-D, and then play it in Dm, at the 5th fret. Aside from just being a great comping excersize, this is an invaluable skill to have if you ever find yourself in a gig with an acoustic guitarist who likes using a capo. I played with this blues-rock band for a while, great group of guys, but we never had a "set list" per se, and every once in a while the vocalist would grab a capo and start playing open chords in a really awkward position on the neck. Your hand will kill at the end of the set, but it's a lot easier to play chord shapes you already know barred a bit up the neck than work out what something like the above progression should be with a capo on the 6th fret, on the fly...

-D
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Old 03-19-2005, 03:02 PM
pawel  is offline
 
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Re: What (moveable)chord forms should everybody know?


For me it would be E,A,D - most other things you might need can be derived from these...
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Old 03-19-2005, 03:53 PM
Azrael  is offline
 
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Re: What (moveable)chord forms should everybody know?


LOL.....just played a G# chord with the G-barre chord form on the first fret. Kinda funny to do......not really a shape that I would use often with G#
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Old 03-19-2005, 04:27 PM
Drew  is offline
 
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Re: What (moveable)chord forms should everybody know?


Ahh, but it overlies the G# major pentatonic pattern - play it again, and add some loose hit-on/pull-off fills a la jimi, like you would two frets up from a normal "A" shaped bar chord.

These two blur together - really, it's two different ways to resolve the same chord.

-D
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