My rig is in a constant state of flux...
I like the ease of the Pod/Floorboard setup, but I also dig using my 5150 with a (Rolls) RFX Patchwork.
The patchwork is like the DMC GCX Changer, but it's WAY LESS MONEY. *Catch is, it does four loops and four switches (which is enough for me...)
For actual switching, I use a DMC Ground Control pedal, which is fully programmable on 8 MIDI channels. *As the other guy said, doing the
Eric Johnson tap-dance during songs is not for me. *I want one button to switch EVERYTHING. *The Ground Control and the Patchwork do that for me.
I have various settings across the banks, but they generally go:
1. *Distorted Rhythm sound -- Just the 5150 lead channel.
2. *Clean sound - 5150 Rhythm channel w/ chorus & reverb
3. *Delay Lead - 5150 Lead w/ delay & a bit of boost
4. *Reverb Lead - 5150 Lead w/ reverb & a bit of boost
5. *Whammy Lead - 5150 Lead w/ verb &
Digitech whammy pedal
6-10 are usually song-specific, like if I need tremolo in a middle section, or a crazy flange for an intro.
The way the Ground Control is laid out, the first four patches are in the front row, as are the bank buttons. *This is set up so that you can use 5-10 with a GCX for turning effects on and off... *I prefer using one button to switch everything, rather than have one button which picks clean/distortion and 6 buttons for various effects. *Since the pedal works either way, it's great for what I do.
Oh, and by the way - Out of the box, the Patchwork is wired to provide MIDI Phantom Power to the Ground Control, so you don't have to drag a wall-wart out on stage.
While I'm on a roll here, I will mention that I have also played around with switching the Pod & the 5150 simultaneously. *It works very well, just requires a bit of crazy wiring. *I can use the 5150 for regular rhythms and the Pod for cleans and lead sounds. *The only thing I didn't like about that is the fact I don't have a noise gate, so the bare 5150 channel is kinda clunky where everything else is dead quiet when you're not playing.