There was, (and I liked it), but I had to replace the volumepotmeter, cuz there was noise and silence in both ends due to the tremarm often striking the replacement skullknob

I also replaced the pickupswitch, cuz I had spilled solder in it, and I noticed that the cablestripper had been mean to the red Warpigwire, so I made it right, but the result was somewhat surprising - the whole set seemed to calibrate itself, they are all very equal now!
Don't get me wrong, the Warpig is still teh boss, but it used to make that like, more clear

I used Radioshack rosin-core silver solder and wires you only find in like the finest Gibsons, but it's still a mystery to me how such polar opposite outputs can be such an excellent combination,(the HfH is 5.82k, the Warpig 22.55(the Blue Velvet 6.0

), but that was never an issue, I liked the instant power of the Warpig, I just didn't know something was wrong(and I still don't know what it was), but now they seem like made for eachother, there obviously is more to output than resistance...seems like most of the Warpig's massive output goes to bass, it doesn't have that trebly curse of the bridgebucker - it looks really cool, too
