Red,
You must be in a geographical oddity then, only good Gibsons get to your area I guess. That is the case now sadly. I'm in the market for a R9 and have been looking at new ones all over my area, KC, Chicago, Minneapolis ect... and what I've noticed is the nice CS Gibson are becoming more and more rare. Add that to the rumors of Chinese Gibson Necks stamped Made in USA, and the whole internet policy thing and the overdone quotas that small shops have to pay and Gibson is in the worst era of it's existance...
Now for Norlin era Gibsons, I have owned 17 Norlin era Gibsons in my time and all of them have been good. Even the dreaded "Pancake" bodied LP. One of the best LP's I've ever owned was a beat to crap '82 Standard with a pancake body. Monster tone and sustain for days. Maybe I am lucky, or just know what a good Gibson is, I think it's the latter...
I've never been a fan of Classics. I've only owned 1, a '97 Cinnamon Burst. Hated it. I don't like the '60's neck at all. I just got rid of a '03 Standard in Light Burst because it had a '60's neck. Too small for my hands. Not really "correct" for a LP to have that small of a neck either, but that's not really important. And the inlays... UGH!!! I can't take that snot green or piss yellow look to them. Yikes... Those gotta go... I've heard if you put them in the sun for a couple of days they lighten, saw one on the Les Paul Forum. I would try that if I had a Classic...