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It was inevitable, the only question was when, and how big a cut Hoshino will have to take in the reorganization. And considering their bill is always in the 7 figures, it could hurt.
Why Guitar Center Is Going Chapter 11
And What It Means For The Industry
Guitar Center is preparing for a Chapter 11 bankruptcy filing on November 15 to restructure $1.4 billion in liabilities and renegotiate the leases on its 297 Guitar Center locations and 200-plus Music & Arts locations, according to bond holders who have reviewed financial documents but requested anonymity. A missed $45 million interest payment on October 12 was the immediate catalyst for the bankruptcy filing, but the actual cause of the financial difficulties dates back to 2007, the year the private equity firm Bain Capital acquired Guitar Center in a leveraged $2.1 billion transaction. Ever since, GC management has devoted a tremendous amount of time and energy struggling to keep current with onerous loan covenants, necessitating harsh layoffs and several ill-conceived strategic decisions.
The proposed Chapter 11 filing will be second time Guitar Center has restructured its debt since the Bain transaction. In 2013 a looming debt default enabled Ares Management Corp., Guitar Center’s largest bond holder, to take ownership in a debt for equity swap. The transaction slashed Bain Capital’s ownership position and reduced the debt burden to $1.0 billion from $1.5 billion, but still left the company highly leveraged.
While Moody’s rating service has consistently called Guitar Center’s finances “untenable” for the past five years, the company remains a financially viable retailer, that last year generated approximately $185,000,000 in EBITDA (earnings before interest, taxes, depreciation and amortization) on $2.3 billion in revenue. The company has also recently been buoyed by improved operations and a rising market, posting revenue gains in ten consecutive quarters prior to the COVID outbreak in March. Subsequent store shut downs led to a sales decline of approximately 13% in the most recent quarter, with the Music & Arts division especially hard hit by curtailed school music programs, yet cash flow was reportedly strong.
Guitar Center management is apparently hoping to bring leverage to a manageable level with another debt for equity swap that would transfer ownership to bond holders. The company’s current $1.4 billion in liabilities includes approximately $600 million in junior unsecured notes, $300 million in senior secured notes, $375 million owed to music industry suppliers, landlords, and other trade creditors, and $125 million in a revolving credit facility. A bond analyst who reviewed recent Guitar Center financials said the company would likely emerge with a more competitive cost structure if it could close underperforming stores and renegotiate leases. However, the music industry suppliers that are owed millions are bracing for a significant, but yet undetermined, financial hit. A guitar manufacturer owed a seven-figure amount said, “We’re expecting to take a serious haircut in the reorganization.”
Guitar Center’s imminent bankruptcy filing is essentially the failure of a high-stakes bet on rapid sales growth. The $2.1 billion Bain paid for Guitar Center in October of 2007 represented a rich valuation: 23 times earnings or nearly twice the multiple of big box chains like Bed Bath & Beyond, Dick’s Sporting Goods, or Best Buy. The high price was based on the assumption that Guitar Center revenues would continue growing from $2.0 billion in 2007 to around $3.0 billion by 2012. It was also underpinned by a belief that Bain’s managerial magic could ratchet up Guitar Center’s margins and overall profitability.
Much of the failure to achieve these optimistic goals could be chalked up to the 2008 financial crisis and the ensuing economic stagnation. Bain management could be forgiven for failing to anticipate these events. However, their purchase price was sufficiently lofty, it made no allowance for even the slightest setback. A much milder recession could have pushed Bain’s investment into the red. On the operational front, however, Bain’s “improvements” didn’t deliver as promised. The attempt to reduce overhead expense by integrating the Musician’s Friend mail order division into the Guitar Center organization backfired, with the unfortunate result that Musician’s Friend revenues declined at a time when most other online merchants were posting robust growth. Trimming operating expenses at the store level and on the backs of the front-line sales staff took a heavy toll on morale and customer service, and even prompted an unwanted unionization drive. Eliminating negotiated sales in the midst of a recession alienated customers and created opportunities for independent merchants. Finally, Bain failed to anticipate how the rise of e-commerce had diminished the power of Guitar Center’s brick and mortar stores. Reflecting these trials, the company cycled through five CEO’s over the past decade.
By virtue of its size and market clout, Guitar Center has been the company many in the industry love to hate. Independent retailers resent the way GC uses its scale to negotiate better pricing, while manufacturers gripe endlessly about the retailer’s demand for return privileges, promotional allowances, and other forms of monetary support. However, with its network of well-appointed stores, efficient distribution system, and potent marketing capabilities, Guitar Center remains a vital factor delivering all things musical to the general public. The industry would be diminished in its absence.
Brian T. Majeski
Editor
Why Guitar Center Is Going Chapter 11
And What It Means For The Industry
Guitar Center is preparing for a Chapter 11 bankruptcy filing on November 15 to restructure $1.4 billion in liabilities and renegotiate the leases on its 297 Guitar Center locations and 200-plus Music & Arts locations, according to bond holders who have reviewed financial documents but requested anonymity. A missed $45 million interest payment on October 12 was the immediate catalyst for the bankruptcy filing, but the actual cause of the financial difficulties dates back to 2007, the year the private equity firm Bain Capital acquired Guitar Center in a leveraged $2.1 billion transaction. Ever since, GC management has devoted a tremendous amount of time and energy struggling to keep current with onerous loan covenants, necessitating harsh layoffs and several ill-conceived strategic decisions.
The proposed Chapter 11 filing will be second time Guitar Center has restructured its debt since the Bain transaction. In 2013 a looming debt default enabled Ares Management Corp., Guitar Center’s largest bond holder, to take ownership in a debt for equity swap. The transaction slashed Bain Capital’s ownership position and reduced the debt burden to $1.0 billion from $1.5 billion, but still left the company highly leveraged.
While Moody’s rating service has consistently called Guitar Center’s finances “untenable” for the past five years, the company remains a financially viable retailer, that last year generated approximately $185,000,000 in EBITDA (earnings before interest, taxes, depreciation and amortization) on $2.3 billion in revenue. The company has also recently been buoyed by improved operations and a rising market, posting revenue gains in ten consecutive quarters prior to the COVID outbreak in March. Subsequent store shut downs led to a sales decline of approximately 13% in the most recent quarter, with the Music & Arts division especially hard hit by curtailed school music programs, yet cash flow was reportedly strong.
Guitar Center management is apparently hoping to bring leverage to a manageable level with another debt for equity swap that would transfer ownership to bond holders. The company’s current $1.4 billion in liabilities includes approximately $600 million in junior unsecured notes, $300 million in senior secured notes, $375 million owed to music industry suppliers, landlords, and other trade creditors, and $125 million in a revolving credit facility. A bond analyst who reviewed recent Guitar Center financials said the company would likely emerge with a more competitive cost structure if it could close underperforming stores and renegotiate leases. However, the music industry suppliers that are owed millions are bracing for a significant, but yet undetermined, financial hit. A guitar manufacturer owed a seven-figure amount said, “We’re expecting to take a serious haircut in the reorganization.”
Guitar Center’s imminent bankruptcy filing is essentially the failure of a high-stakes bet on rapid sales growth. The $2.1 billion Bain paid for Guitar Center in October of 2007 represented a rich valuation: 23 times earnings or nearly twice the multiple of big box chains like Bed Bath & Beyond, Dick’s Sporting Goods, or Best Buy. The high price was based on the assumption that Guitar Center revenues would continue growing from $2.0 billion in 2007 to around $3.0 billion by 2012. It was also underpinned by a belief that Bain’s managerial magic could ratchet up Guitar Center’s margins and overall profitability.
Much of the failure to achieve these optimistic goals could be chalked up to the 2008 financial crisis and the ensuing economic stagnation. Bain management could be forgiven for failing to anticipate these events. However, their purchase price was sufficiently lofty, it made no allowance for even the slightest setback. A much milder recession could have pushed Bain’s investment into the red. On the operational front, however, Bain’s “improvements” didn’t deliver as promised. The attempt to reduce overhead expense by integrating the Musician’s Friend mail order division into the Guitar Center organization backfired, with the unfortunate result that Musician’s Friend revenues declined at a time when most other online merchants were posting robust growth. Trimming operating expenses at the store level and on the backs of the front-line sales staff took a heavy toll on morale and customer service, and even prompted an unwanted unionization drive. Eliminating negotiated sales in the midst of a recession alienated customers and created opportunities for independent merchants. Finally, Bain failed to anticipate how the rise of e-commerce had diminished the power of Guitar Center’s brick and mortar stores. Reflecting these trials, the company cycled through five CEO’s over the past decade.
By virtue of its size and market clout, Guitar Center has been the company many in the industry love to hate. Independent retailers resent the way GC uses its scale to negotiate better pricing, while manufacturers gripe endlessly about the retailer’s demand for return privileges, promotional allowances, and other forms of monetary support. However, with its network of well-appointed stores, efficient distribution system, and potent marketing capabilities, Guitar Center remains a vital factor delivering all things musical to the general public. The industry would be diminished in its absence.
Brian T. Majeski
Editor