High A tuning gauge question.

An 8 would work. 7 might too. it might be a bit hard to find a 7. the shop I teach at has some 7s!

I've seen it being done with basses (albeit 9-string basses), but i've never really seen it on guitars.

I think Wes Borland (Limp Bizkit's guitarist) tunned his 7-strings with an extra E or something, so i'm sure it's possible.

Lenny Breau used to do it but he had a 24 inh scale length. I suspect that with a high A, you'll end up breaking too many strings. What you can do though is to tune the entire instrument down a full tone and then add a high G. That would give you DGCFADG. Youll get a little more size and warmth from tuning down a tone and the same relative pitch on the added string as you would with the high A.

George lynch used and esp with a high a, i think he only used like a 8 or 9 gauge string for the high a though. Alex Gregory did the same thing as well, but we all know hes about as well liked as ed roman around here

Chud said:

I've seen it being done with basses (albeit 9-string basses), but i've never really seen it on guitars.

I think Wes Borland (Limp Bizkit's guitarist) tunned his 7-strings with an extra E or something, so i'm sure it's possible.

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I'm naturally no Borland expert but I'm reasonably sure that was a unison E.

Yeah, Wes just strung his guitars up like a six string, but had two high E strings.

I think Jim's suggestion is the best, and makes the most sense. That's what I would do, anyway.

whatshisname said:

Yeah, Wes just strung his guitars up like a six string, but had two high E strings.

I think Jim's suggestion is the best, and makes the most sense. That's what I would do, anyway.

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The unison strings actually sound really cool if youve ever tuned like that before

No, I've never tried it. I do remember Wes saying that he'd play on the one E, while letting the other act as a drone note. You could probably tune one of them slightly sharp, or flat, for an interesting kind of chorus effect.

I had an 8 string and an .008 did not work. The guitar tech and I were able to get it to an A and G# but it always broke seconds after. With an .008 we could get a steady G, but that's about it. I think to go higher than that you need a .007.

you really need a multiple scale for such a tuning on a guitar, I can't remember exactly but Bill Conklin suggests 22.75" or something along those lines for the high A to make it stable.