I don't get it. Everyone swaps out the stock bridge pickups on RG's for Tone Zones. Ibanez uses the Tone Zone on quite a few upper end RG's. Why?
I took all my Ibanez guitars today and did a little comparison, back to back, to see what's what with the pickups. Here's what my ears heard:
Ibanez V2: Really poor, weak pickup with poor definition
Ibanez V8: Pretty darn good pickup, good range and definition, hot
DiMarzio Tone Zone: Better than a V2 but not as hot as a V8, kind of muddy
DiMarzio Super Distortion: Very hot, great definition, awesome crunch
DiMarzio MegaDrive: Super hot, awesome crunch, metal pickup all the way
I have a Tone Zone in a bolt-on USA Jackson and never really cared for it. I didn't hate it, just wasn't that impressed with it. It's the same deal in the Ibanez RG, it's OK but with so many other better, hotter, more defined pickups out there, what's the attraction ? I would personally prefer a DiMarzio Super Distortion, Lawrence L-500, Duncan Distortion, EMG 81 or 85 over the Tone Zone any day.
I took all my Ibanez guitars today and did a little comparison, back to back, to see what's what with the pickups. Here's what my ears heard:
Ibanez V2: Really poor, weak pickup with poor definition
Ibanez V8: Pretty darn good pickup, good range and definition, hot
DiMarzio Tone Zone: Better than a V2 but not as hot as a V8, kind of muddy
DiMarzio Super Distortion: Very hot, great definition, awesome crunch
DiMarzio MegaDrive: Super hot, awesome crunch, metal pickup all the way
I have a Tone Zone in a bolt-on USA Jackson and never really cared for it. I didn't hate it, just wasn't that impressed with it. It's the same deal in the Ibanez RG, it's OK but with so many other better, hotter, more defined pickups out there, what's the attraction ? I would personally prefer a DiMarzio Super Distortion, Lawrence L-500, Duncan Distortion, EMG 81 or 85 over the Tone Zone any day.